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2019-05-16 - 2019-05-16
Seminário
Da narrativa de transmisión oral á Literatura Infantil e Xuvenil Galega: a reescritura dos contos marabillosos
Auditório ILCH, 14h
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2019-05-09 - 2019-05-09
Seminário
Denis de Rougemont, René Girard, Ernst Lubitsch, and the literary « mythe » of love
Auditório ILCH, 14:30h
Por Toufic El-Koury, Université Saint-Joseph, Beyrouth, Liban.
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Informações (PDF)
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2019-04-04 - 2019-04-04
Aulas-Abertas Prof. Visitantes
Correspondências: Murilo Mendes, Haroldo de Campos e Affonso Ávila
Sala 209 – edifício 1, 11h
Por Júlio Castañon Guimarães. Conferência no âmbito do projeto de pesquisa “Correspondências” do Grupo PLP – Poéticas em Língua Portuguesa.
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Informações (PDF)
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2019-03-29 - 2019-03-29
Ciclo de Seminários WOMANART #8
Dentro e Fora do Cânone: Estado Novo e Censura
Sala de Reuniões CEHUM, 11h
Por Sara Reis Silva (UM, IE).
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2019-03-22 - 2019-03-22
Conferência
Duzentos e quarenta anos de Diálogos Culturais entre Portugal e Rússia: viagens, museus, pintores e escritores
Auditório ILCH, 14h
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2019-03-21 - 2019-03-21
Seminário
Seminários Doutorais 'work in progress'
Sala de Reuniões CEHUM, 11h
José Luís Pimenta Lopes: “A receção do Holocausto em Portugal: mediação e debate intelectual – do pós-guerra até ao 25 de Abril“.
Maria de Fátima Silva: “Why Be Happy When You Could Be Normal? Jeanette Winterson – revisitações do tempo, da memória, da ficção e da autobiografia”.
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2019-03-14 - 2019-04-04
Ciclo de cinema
Mulheres, Artes e Ditadura
Cinemax - Braga Shopping
Uma realização do projecto "Mulheres, artes e ditadura - os casos de Portugal, Brasil e dos países africanos de língua portuguesa" - GAPS/CEHUM.
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Cartaz
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2019-03-07 - 2019-03-07
Seminário
Detroit and Contemporary Popular Culture: Media Representations
Universidade do Minho, Auditório ILCH, 16h
Por John Patrick Leary (College of Liberal Arts and Sciences, Wayne State University, USA).
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2019-02-21 - 2019-02-21
Seminário
Seminários Doutorais 'work in progress'
Sala de reuniões CEHUM, 13h
Sandra Sousa: "Retratos do herói: releituras da cultura clássica na ficção portuguesa contemporânea".
Célia Novais: "Sous les pavés, la plage: o que o filme documentário esconde e revela sobre o Maio 68".
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2019-02-15 - 2019-02-15
Workshop
Writing Workshop
Auditório ILCH, 16h
By Deborah Shechter (Tel Aviv University). Writing has become a major component in CEFR aligned English courses. Graded writing tasks are now an integral and a significant part of the curriculum. Writing skills involve not only a good knowledge of grammar and vocabulary, but also the ability to write clearly and concisely.
This workshop will cover, among others: the elements of a well-written paragraph; the implications of information in the subordinate clause vs. in the main clause; the characteristics of clear and concise sentences; the components of a successful motivation letter.
We will first analyze sample independent paragraphs. Then, we will compare paragraph pairs conveying the same information in different types of clauses. We will learn how to revise heavy sentences: eliminate wordiness, minimize nominalizations and passive verbs, avoid buried verbs and put familiar information first. We will also read an inadequate motivation letter, discuss its weaknesses and suggest solutions. Finally, we will examine the revised version of the letter and point out the improvements. This is a worthy skill to acquire, as students may need to write motivation letters when they apply for graduate studies at foreign universities, for scholarships or positions as teaching assistants etc. We will also look at useful Web resources for improving writing skills. This workshop will raise the students’ awareness and encourage them to develop their writing skills independently.
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https://goo.gl/forms/JM4jH21N90weRVx52
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2019-02-13 - 2019-02-13
Apresentação de livro
Apresentação do livro "Taotologias", de Rui Rocha, Editora Labirinto
Livraria 100ª Página, 18:30h
O CEHUM, através do seu Grupo de Investigação em Poéticas em Língua Portuguesa - PLP e com a colaboração do Grupo de Estudos Luso-Asiáticos - GELA, tem o gosto de convidar para a apresentação do livro "Taotologias", de Rui Rocha, que estará presente na sessão.
A apresentação será feita por Isabel Cristina Pinto Mateus e terá lugar na Livraria 100ª Página, no dia 13/Fevereiro, às 18.30.
Haverá ainda um momento musical, por Graciano Ding, que interpretará duas peças de música chinesa.
Todos os interessados serão muito bem-vindos.
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2019-02-12 - 2019-02-12
Seminário
Designing multiple choice questions and Moodle tests: principles and implementations
Universidade do Minho, Auditório ILCH, 18h
Por Deborah Azaryad Shechter (Tel-Aviv University)
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Info/Bionote
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2019-01-25 - 2019-01-25
Ciclo de Seminários WOMANART #6
Gendered Subjectivity and Resistance: Brazilian Women's Performance-for-Camera, 1974-1982
Sala de reuniões CEHUM, 14:30h
Abstract: This presentation, based on Sneed’s doctoral dissertation at the City University of New York, examines performances-for-camera (performance art made for video and film) by Brazilian women artists based between Latin America and New York during the period of the Brazilian dictatorship (1964–1985). These include works by Sonia Andrade, Anna Bella Geiger, Anna Maria Maiolino, Lygia Pape, Leticia Parente, and Regina Vater. This research analyzes their works from the 1970s and early 1980s, arguing that they posed a form of gendered resistance to the authoritarianism of the Brazilian dictatorship and to U.S. cultural and economic imperialism in Brazil. It considers the various strategies these women artists employed to resist authoritarianism in their daily lives as social and political subjects of the dictatorship. The approach of this research and the analysis of their work is feminist, even though not all of these artists self-identified as such. This presentation contends that their performances-for-camera staged a form of artistic resistance to the underlying patriarchal foundations of the authoritarian regime, and to the paternalism of U.S. socio-economic interventionism in Brazil in the 1970s and 1980s. It shows how these women artists rooted their resistance in their own gendered subjectivities, expressed through bodily and affective excess, gendered masquerade, and explorations of public and private spaces. Because their performances were privately recorded and presented to limited audiences, the medium of performance-for-camera helped them to critique the cultural and political status quo at a time when openly voicing dissent was dangerous. This project not only provides one of the first feminist analyses of Brazilian performances-for-camera, it also provides a unique transnational study of feminist practices across the Americas, and analyzes the complicated economic and political relationship between the U.S. and Brazil during the period. It highlights parallels between Brazil and the U.S. and the patriarchal underpinnings of extremist right wing governments in both countries, as well as the strategies women artists have taken to challenge and resist these hegemonies, then and now.
Biography: Gillian Sneed is a Ph.D. candidate in art history at the Graduate Center of the City University of New York, where her research interests include contemporary Latin American art, women’s performance and media art practices, and global conceptualism. She has written for AWARE Magazine, Women's Art Journal, Flash Art International, Texte zur Kunst online, and Art in America online, and she has taught courses on modern and contemporary art across the Americas at the New School Parsons, the City College of New York, and the Museum of Modern Art.
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2019-01-21 - 2019-01-21
Aula Aberta
Teoria de input-output na produção de sequências pedagógicas
Auditório do ILCH, 14:30h
Seminário lecionado pelo Prof. Doutor Luís Gonçalves, do "Department of Spanish and Portuguese" da Princeton University - EUA, Presidente da AOTP – American Organization of Teachers of Portuguese.
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2019-01-21 - 2019-01-21
Seminário
Teoria de input-output na produção de sequências pedagógicas
Universidade do Minho, Auditório ILCH, 14:30h
Por Luís Gonçalves (Princeton University)
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